The Poetics of A. Kim’s Prose Genre in the 1990s

Mukhamedova F.B.

doi:10.47814/ijssrr.v6i5.1268

Mukhamedova F.B. Independent Researcher, Lecturer, Uzbekistan State University of World Languages, Uzbekistan

DOI: https://doi.org/10.47814/ijssrr.v6i5.1268

Keywords: Genre; Poetics; Literary Process; Myth; Parable; Novel; Fairy Tale; Life

Abstract

The work of Anatoly Kim, one of the most talented and mysterious Russian writers, occupies a special place in the modern literary process. A. Kim is distinguished by the ability to intuitively understand and predict the most relevant trends in literary development. These include the process of genre modifications, which in the writer’s work is manifested mainly in the appeal to the original artistic forms (myth, parable, fairy tale) and the use of techniques of other art forms (intermedia poetics).

References

Andreeva I. (1976) Blue Island–a new land / I. Andreeva // Friendship of peoples. No. 10. p. 266.
Antonov A. (1994) Roman–centaur A. Kim / A. Antonov // Facets=Grani. frankfurt. M. G. 49. No. 171. p. 137; Antonov A. “Internal languages” of Pelevin and Kim / A. Antonov // Literary news. 1994. №5 (61). p. 12.
Bondarenko V. (1979) Review of the book by A. Kim “Four Confessions” / V. Bondarenko // Don. № 2. p. 179.
Ivanova N. (1978) Features of a group portrait / N. Ivanova // Friendship of peoples. No. 3. p. 250;
Maksimova L.K. (1988) The problem of loneliness in A. Kim’s story “The Onion Field” / L.K. Maksimova // Artistic creativity and literary process. Tomsk. Issue. 10. p. 50–63.
Mikhailov A. (1981) Debuts of the 70s / A. Mikhailov // Questions of Literature. No. 4. p. 57.
Pikach A., Tsyganova I. (1979) Not an easy right to confession / A. Pikach, N. Tsyganova // Star. No. 7. p. 201.
Poleshchuk V. (1980) Echo of traditions / V. Poleshchuk // Pamir. No. 10. p. 91–96.
Rougle, Charles. (1990) On the Fantastic Trend in Recent Soviet Prose / Charles Rougle // The Slavic and East European Journal. – Vol. 34. – No. 3. – p. 308–321. Namely: free movement in time and space, constant change of subjects of narration, alternation of the “stream of consciousness” technique with lines written in an elevated poetic style, sometimes turning into verses in prose. Such poetics, according to N. Peterson, testifies to A. Kim’s attempt to present what Velimir Khlebnikov.
Sergeev E. (1980) To the magic of life / E. Sergeev // Literary newspaper. November 5. p. 5.
Shklovsky E. (1978) The Joyful Mystery of Being / E. Shklovsky // Literary Review. No. 11. p. 53.
Urban A. (1987) Philosophy of fiction / A. Urban // Star. No. 9. p. 216.